1) Intro / "Monday Morning" / Why Fleetwood Mac works and the band's chemistry / "The Chain" / Comparing working with FM to movie-making and working alone to painting [big surprise there - Nancy] / "Slow Dancing"
2) Commercial break #1
3) How Go Insane is not about black and white, but shades of grey, especially in a society with relativistic standards of insanity / "Go Insane" / "Can't Go Back"
4) The probablity of making another FM album, and how much easier it is for Stevie to participate than it is for him to do so; he characterizes his participation in FM as "altruistic" / "Go Your Own Way"
5) "Trouble"
6) How he's always competed with Stevie, ever since they became lovers. "Even though we were excellent lovers, we were competitors as well." / "Dreams" / How difficult it was to function professionally during the making of Rumours, and how music-making can be therapeutic / "I Want You"
7) Commercial break #2
8) How the other members of Fleetwood Mac aren't very "in touch" with the contemporary music scene and the importance of Tusk / "Tusk" / Criticizing Stevie and Christine for relying too heavily on FM material in their solo acts; how he isn't comfortable with that
9) "Loving Cup"
10) Closing